Hotel Trends: Be Our Guest
01 December, 2009
One of the biggest trends to sweep guestrooms around the world is the open, New
York loft-style aesthetic: freestanding tubs enter the bedroom, expansive
windows are letting the sun shine in, exposed bricks and ducts appeal to young
creative types, and sliding pocket doors have been given a whole new life in
hospitality.
In Hong Kong, designer Philip Liao interpreted the loft
aesthetic at the new extended stay hotel, the Yin. "I think this more raw, more
honest kind of living is more in fashion. Even very well-paid young execs don't
necessarily want to live in a palace anymore," says the founder of Philip Liao
and Partners Ltd. The 42 rooms feature exposed copper piping in bathrooms, brick
walls lightly white washed, and ceiling pipes only partially concealed with
suspended wooden slats. The star of each room is a curvaceous freestanding tub,
easily visible through glass partitions: each was hand chiseled out of a single
block of Perla Grey stone from Japan.
Not only relegated to major cities
though, the loft style is sweeping through second-tier markets in places like
Texas and Rhode Island too, with NYLO, one of the new entrants into the
design-savvy cost-conscious brands. (The name NYLO is actually a play on New
York Loft.) The brand’s urban loft aesthetic features soaring ceilings, exposed
brick walls, and polished concrete floors. Fun regional motifs are sprinkled
throughout each hotel. In Texas, for instance, chandeliers are shaped like
antlers, while the Rhode Island NYLO has Plexiglas tabletops with embedded
seashells and ottomans adorned with boat ties.
Starwood has also
banked on the loft-look with its aptly named Aloft concept. Designed in
conjunction with David Rockwell, guestrooms feature 9-ft. ceilings, oversized
windows, and an ultra-comfortable signature bed. Each guestroom is also a
combination high-tech office and entertainment center, featuring wireless
internet access and plug-and-play, a one-stop connectivity solution for multiple
electronic gadgetry—such as PDAs, cell phones, mp3 players, and laptops—all
linked to a large flat panel HDTV ready television.
And Aloft isn’t the
only brand that is taking technology very seriously. Traditional casegoods and
armoires are almost completely extinct. Instead, they are being replaced by
sleek LED flatscreens, mounted everywhere from the foot of a luxury bathtub to
above an electric fireplace. At the Buddha-Bar Hotel Prague, the first property
in a growing global collection of Buddha-Bar branded hotels from entrepreneur
and designer Raymond Visan, guestrooms feature Nespresso coffee machines,
Sub-Zero minibars, Balnea 8000 toilets, and 40-in. Bang & Olufsen full HD
televisions with live DJ musical channels.
In contrast to the hard
aesthetic of loft-like living, there has also been a shift to more
residential-style design. For London-based Firmdale’s first stateside hotel,
Crosby Street, each guestroom is meticulously appointed, with the type of
attention to detail, texture, and color that gives the feeling that
designer/co-owner Kit Kemp was not designing a hotel, but her family's New York
home, with plans of entertaining a lot. "We love color, texture, and tones, and
we wanted to put the detail in that we hadn't seen in a lot of New York hotels,"
says Kemp. "And when you've been doing it for quite a long time, then it starts
to get fun to break a few rules and genuinely have a great time with fabric and
the experience that we've built up over the years." Argentinean blankets were
made into rough looking chairs, and patchwork sofas were hand-sewn by Kemp and
her friend over the course of five days.
Even in South Beach, where
overdesigned and über trendy are the names of the game, an elegant, residential
space has emerged. The Betsy hotel on Ocean Drive in South Beach, housed in the
former Betsy Ross hotel, a Georgian colonial building built by L. Murray Dixon
in the 1940s. Designers Diamante Pedersoli and Carmelina Santoro were brought
together to create a home-away-from-home feel throughout the 63 guestrooms.
Rooms are done in one of four color schemes—lilac, coral, ochre, or apple
green—and feature white wooden plantation shuttered windows, black walnut
hardwood floors, white lacquered dressers, raffia covered ceilings, chairs, and
headboards, and stately poster beds.
Hotel Trends: Be Our Guest
01 December, 2009
One of the biggest trends to sweep guestrooms around the world is the open, New
York loft-style aesthetic: freestanding tubs enter the bedroom, expansive
windows are letting the sun shine in, exposed bricks and ducts appeal to young
creative types, and sliding pocket doors have been given a whole new life in
hospitality.
In Hong Kong, designer Philip Liao interpreted the loft
aesthetic at the new extended stay hotel, the Yin. "I think this more raw, more
honest kind of living is more in fashion. Even very well-paid young execs don't
necessarily want to live in a palace anymore," says the founder of Philip Liao
and Partners Ltd. The 42 rooms feature exposed copper piping in bathrooms, brick
walls lightly white washed, and ceiling pipes only partially concealed with
suspended wooden slats. The star of each room is a curvaceous freestanding tub,
easily visible through glass partitions: each was hand chiseled out of a single
block of Perla Grey stone from Japan.
Not only relegated to major cities
though, the loft style is sweeping through second-tier markets in places like
Texas and Rhode Island too, with NYLO, one of the new entrants into the
design-savvy cost-conscious brands. (The name NYLO is actually a play on New
York Loft.) The brand’s urban loft aesthetic features soaring ceilings, exposed
brick walls, and polished concrete floors. Fun regional motifs are sprinkled
throughout each hotel. In Texas, for instance, chandeliers are shaped like
antlers, while the Rhode Island NYLO has Plexiglas tabletops with embedded
seashells and ottomans adorned with boat ties.
Starwood has also
banked on the loft-look with its aptly named Aloft concept. Designed in
conjunction with David Rockwell, guestrooms feature 9-ft. ceilings, oversized
windows, and an ultra-comfortable signature bed. Each guestroom is also a
combination high-tech office and entertainment center, featuring wireless
internet access and plug-and-play, a one-stop connectivity solution for multiple
electronic gadgetry—such as PDAs, cell phones, mp3 players, and laptops—all
linked to a large flat panel HDTV ready television.
And Aloft isn’t the
only brand that is taking technology very seriously. Traditional casegoods and
armoires are almost completely extinct. Instead, they are being replaced by
sleek LED flatscreens, mounted everywhere from the foot of a luxury bathtub to
above an electric fireplace. At the Buddha-Bar Hotel Prague, the first property
in a growing global collection of Buddha-Bar branded hotels from entrepreneur
and designer Raymond Visan, guestrooms feature Nespresso coffee machines,
Sub-Zero minibars, Balnea 8000 toilets, and 40-in. Bang & Olufsen full HD
televisions with live DJ musical channels.
In contrast to the hard
aesthetic of loft-like living, there has also been a shift to more
residential-style design. For London-based Firmdale’s first stateside hotel,
Crosby Street, each guestroom is meticulously appointed, with the type of
attention to detail, texture, and color that gives the feeling that
designer/co-owner Kit Kemp was not designing a hotel, but her family's New York
home, with plans of entertaining a lot. "We love color, texture, and tones, and
we wanted to put the detail in that we hadn't seen in a lot of New York hotels,"
says Kemp. "And when you've been doing it for quite a long time, then it starts
to get fun to break a few rules and genuinely have a great time with fabric and
the experience that we've built up over the years." Argentinean blankets were
made into rough looking chairs, and patchwork sofas were hand-sewn by Kemp and
her friend over the course of five days.
Even in South Beach, where
overdesigned and über trendy are the names of the game, an elegant, residential
space has emerged. The Betsy hotel on Ocean Drive in South Beach, housed in the
former Betsy Ross hotel, a Georgian colonial building built by L. Murray Dixon
in the 1940s. Designers Diamante Pedersoli and Carmelina Santoro were brought
together to create a home-away-from-home feel throughout the 63 guestrooms.
Rooms are done in one of four color schemes—lilac, coral, ochre, or apple
green—and feature white wooden plantation shuttered windows, black walnut
hardwood floors, white lacquered dressers, raffia covered ceilings, chairs, and
headboards, and stately poster beds.
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